Artspace
November 2022
Interview

“Some artists dream of placing their works into the permanent collections of world-famous museums. The Californian printmaker Cheryl Humphreys has another goal in mind. She hopes the original, framed editions of her meditative, calming abstract prints which were recently on display at the Otra Vox space in Los Angeles might one day find a home in a children’s hospital.” Read more

Jane Magazine
June 2022
Interview

“Cheryl Humphreys identifies perception itself as material. A printmaking artist based in Los Angeles, California, she explores the nuanced nature of colour, texture, shape, and scale throughout her thought-provoking work.”
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Inherent Bummer
May 2021
Interview

“Cheryl Humphreys is a visual artist based in Los Angeles whose work in printed matter, specifically paper, transcends the physical realm. Using handmade materials and an impeccable eye for color, she creates evocative monoprints with blind embossings on a 500-pound press in her home studio. These printed paintings feature shapes that play on shadow and movement and have the ability to transport the viewer to another dimension.” Read more

Artnet News
December 2020
Interview

“Cheryl Humphreys, the Los Angeles-based printmaker whose work focuses on healing and meditation, came to the Pocoapoco residency in Mexico without expectations. “I came to Oaxaca with curiosity,” says the artist, who trained as a graphic designer and is the cofounder of the Arms Studio, a design and fine-art house. She had no specific goals in mind, and instead wanted to soak up the many influences of the country’s diverse cultures.”
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LA Canvas
Fall 2015
Feature

“I want to give Cheryl Louise Humphreys’ phone number to everyone I know—she may be the best texter you’ll ever meet. Her refined sense of symbolism in the tech era makes some seriously interesting—and wordless—communication, putting our reliance on familiar icons on display.” Read more

Foam Magazine
February 2014
Feature

“Cheryl Humphreys’ works are a study in opposites. She starts with the most fundamental of materials—paper and ink—and transforms them into delicately streamlined pieces where natural and manipulated elements intersect.” Read more